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For Art Spiegelman, the Pulitzer Prize-winning author of Maus , the terrorist attacks of September 11, 2001 were both highly personal and intensely political. In the Shadow of No Towers , his first new book of comics since the groundbreaking Maus , is a masterful and moving account of the events and aftermath of that tragic day.
对于普利策奖得主、《鼠》(Maus)作者阿特•施皮格尔曼(Art Spiegelman)来说，2001年9月11日的恐怖袭击既是高度个人化的，也是高度政治化的。《无塔之影》是他继开创性的《鼠》之后的第一本漫画新书，对那悲惨一天的事件和后果进行了娴熟而感人的描述。
Spiegelman and his family bore witness to the attacks in their lower Manhattan neighborhood: his teenage daughter had started school directly below the towers days earlier, and they had lived in the area for years. But the horrors they survived that morning were only the beginning for Spiegelman, as his anguish was quickly displaced by fury at the U.S. government, which shamelessly co-opted the events for its own preconceived agenda.
斯皮格尔曼和他的家人见证了发生在曼哈顿下城社区的袭击:他十几岁的女儿几天前就在双子塔正下方上学了，他们在这个地区已经住了很多年。但那天早上他们经历的恐怖对斯皮格尔曼来说只是一个开始，因为他的痛苦很快被对美国政府的愤怒所取代，美国政府无耻地为自己的先入为主的议程选择了这些事件。
He responded in the way he knows best. In an oversized, two-page-spread format that echoes the scale of the earliest newspaper comics (which Spiegelman says brought him solace after the attacks), he relates his experience of the national tragedy in drawings and text that convey—with his singular artistry and his characteristic provocation, outrage, and wit—the unfathomable enormity of the event itself, the obvious and insidious effects it had on his life, and the extraordinary, often hidden changes that have been enacted in the name of post-9/11 national security and that have begun to undermine the very foundation of American democracy.
他用他最熟悉的方式回应。在一个超大的，两页的传播格式，与最早的报纸漫画的规模相呼应(Spiegelman说，这在袭击后给他带来了安慰)，他讲述了他在国家悲剧中的经历，以他独特的艺术和他特有的挑衅，愤怒和智慧，传达了事件本身的深不可及的严重性，它对他生活的明显和阴险的影响，以及不同寻常的，这些变化往往隐藏在9/11后国家安全的名义下实施，并已开始破坏美国民主的基础。
